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	<title>BOULDER PAVEMENT: Arts and Ideas</title>
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	<description>boulderpavement is a Canadian on-line multi-media journal. Volume 1, Issue 1 features work centered around music and nature and includes: an interview with composer John Luther Adams &#38; percussionist Steven Schick; artwork by Peter von Tiesenhausen, poetry by Jennifer Still; memoir excerpt by climber and author James Perrin; an audio interview with artist Kate Hartman; and more.</description>
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		<title>001 Face to Face: Prelude by Kevin O’Day</title>
		<link>http://boulderpavement.ca/issue003/001-face-to-face-prelude/</link>
		<comments>http://boulderpavement.ca/issue003/001-face-to-face-prelude/#comments</comments>
		<pubDate>Fri, 03 Dec 2010 02:15:37 +0000</pubDate>
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				<category><![CDATA[Dance]]></category>

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		<description><![CDATA[The Evolution of a Contemporary Ballet I. THE BEGINNING &#160; Image 1: Kevin O’Day &#160; On June 28, 2010, choreographer Kevin O’Day arrived at a dance studio at The Banff Centre as part of the summer dance program, where he encountered a cluster of dancers he’d never met before. The dancers were from Ballet British [...]]]></description>
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		<title>002 Face to Face: Development by Kevin O’Day</title>
		<link>http://boulderpavement.ca/issue003/002-face-to-face-development/</link>
		<comments>http://boulderpavement.ca/issue003/002-face-to-face-development/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:01:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=58</guid>
		<description><![CDATA[The Evolution of a Contemporary Ballet II. HALFWAY THERE &#160; Fifteen days later BOULDERPAVEMENT checked in to see how things were going. We visited the studio to watch the dancers, and spoke with Kevin O’Day and dancers Alexis Fletcher and Gilbert Small. var flashvars = { plugins: 'rateit-1', mute: 'false', file: 'http://boulderpavement.ca/issue003/wp-content/plugins/proplayer/playlist-controller.php?pp_playlist_id=58-0&#038;sid=1369479518', enablejs: 'true', javascriptid: [...]]]></description>
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		<title>003 Face to Face: Premiere by Kevin O’Day</title>
		<link>http://boulderpavement.ca/issue003/003-face-to-face-premiere/</link>
		<comments>http://boulderpavement.ca/issue003/003-face-to-face-premiere/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:02:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dance]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=60</guid>
		<description><![CDATA[The Evolution of a Contemporary Ballet III. FINALE &#160; After three weeks of development and rehearsal, on July 20, 2010 the dance – Face to Face – premiered in the Eric Harvie Theatre of The Banff Centre. It was performed with varying casts on July 20, 21, 23, and 24. &#160; In this section we [...]]]></description>
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		<title>004 Face to Face: Coda by Kevin O’Day</title>
		<link>http://boulderpavement.ca/issue003/004-face-to-face-coda/</link>
		<comments>http://boulderpavement.ca/issue003/004-face-to-face-coda/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:02:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=62</guid>
		<description><![CDATA[The Evolution of a Contemporary Ballet IV. REFLECTION Cowboys Roam These City Streets: Three Nights with Kevin O’Day’s Face to Face, a reflection on the dance by dance writer Kaija Pepper. A sneak peek at excerpts from the premiere. Biographies of Costume Designer Jorge Sandoval, and Lighting Designer Harry Frehner. &#160; &#160; Cowboys Roam These [...]]]></description>
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		<title>005 Slaying The Body Politic by Tatiana Mellema</title>
		<link>http://boulderpavement.ca/issue003/005-slaying-the-body-politic/</link>
		<comments>http://boulderpavement.ca/issue003/005-slaying-the-body-politic/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:03:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art Criticism]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=64</guid>
		<description><![CDATA[Every day we move through our worlds rarely questioning why we do what we do. Melanie Gilligan’s films raise this very issue by communicating the strangeness of our current social, political, and economic times. Writing and extensive research serve as the backbone of her works, scripts and narratives weaving together dramatic video mini-series that communicate [...]]]></description>
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		<title>006 Prelude by Elizabeth Philips</title>
		<link>http://boulderpavement.ca/issue003/006-prelude/</link>
		<comments>http://boulderpavement.ca/issue003/006-prelude/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:03:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Poetry]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=66</guid>
		<description><![CDATA[When she wakes in the night there are always the two things: yesterday&#8217;s path, its calculus of miles to come and miles gone. And the question of the record- will she outwalk memory, and have to carry in her mouth, under her tongue, an entire geometry of signs: print and spore, elusive traces along the [...]]]></description>
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		<title>007 The Great Divide &#8211; Alone or Not? by Janez Aleš</title>
		<link>http://boulderpavement.ca/issue003/007-the-great-divide-alone-or-not/</link>
		<comments>http://boulderpavement.ca/issue003/007-the-great-divide-alone-or-not/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:04:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literary Non-Fiction]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=68</guid>
		<description><![CDATA[EXCERPTS FROM THE GREAT DIVIDE – ALONE OR NOT? &#160; I. BOULDERING &#160; An overpass bridge in Kranj, Slovenia, made of orange-coloured stones, was glowing in the sun on this late autumn afternoon. I had seen the bridge from afar, but I had never been close to it until this particular day. The textured rock [...]]]></description>
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		<title>008 The Color of Flesh by Steve Tomasula</title>
		<link>http://boulderpavement.ca/issue003/008-the-color-of-flesh/</link>
		<comments>http://boulderpavement.ca/issue003/008-the-color-of-flesh/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:04:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Visual Art / Fiction]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=70</guid>
		<description><![CDATA[Click here to view in a new window (23 pages) >> STEVE TOMASULA BIO]]></description>
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		<title>009 What Do Dancers Know? by Sheila Heti</title>
		<link>http://boulderpavement.ca/issue003/009-what-do-dancers-know/</link>
		<comments>http://boulderpavement.ca/issue003/009-what-do-dancers-know/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:05:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Literary Non-Fiction]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=72</guid>
		<description><![CDATA[Several years ago, I performed in a ballet. I played the part of the “non-dancer,” although I danced. Four women danced with me – all members of the National Ballet of Canada. I loved seeing them stretching all the time, eating hummus and carrot sticks, and talking on their phones to their boyfriends, who did [...]]]></description>
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		<title>010 The Origins of Rhythm by Paolo Pietropaolo</title>
		<link>http://boulderpavement.ca/issue003/010-the-origins-of-rhythm/</link>
		<comments>http://boulderpavement.ca/issue003/010-the-origins-of-rhythm/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:05:53 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Audio]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=74</guid>
		<description><![CDATA[Any time I take the bus these days I notice the unsynchronized wobble of nodding heads, the arrhythmic patter of tapping feet: an outward indication that many of my fellow passengers are locked into private worlds, captive to personal soundtracks. It’s curious that we so often listen to music as a way to block out [...]]]></description>
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		<title>011 Listening to the Hand by Catherine Hamel</title>
		<link>http://boulderpavement.ca/issue003/011-listening-to-the-hand/</link>
		<comments>http://boulderpavement.ca/issue003/011-listening-to-the-hand/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:06:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Visual Art]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=76</guid>
		<description><![CDATA[One persistently exists between conditions, oscillating, perpetually crossing the borders of habit. &#160; ARTIST STATEMENT &#160; I draw to write, and write to draw. Each medium limits and offers secrets to be discovered. In the images, in the crevices of the lines, is a world of colour, materials, forms, and traces of unrestricted human habitation. [...]]]></description>
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		<title>012 I Miss You by Lisa Borin</title>
		<link>http://boulderpavement.ca/issue003/012-i-miss-you/</link>
		<comments>http://boulderpavement.ca/issue003/012-i-miss-you/#comments</comments>
		<pubDate>Tue, 07 Dec 2010 18:06:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Visual Art]]></category>

		<guid isPermaLink="false">http://boulderpavement.ca/issue003/?p=78</guid>
		<description><![CDATA[ARTIST STATEMENT By Lisa Borin The study of language, narrative, and a longing to delve into the physicality of both are the foundation of my mixed-media work. Gesture and sensation are used as communicative processes initiated through materials. At times, these gestures exist as traces of making that reside in the pieces, and other times [...]]]></description>
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